Voice source differences between falsetto and modal registers in counter tenors, tenors and baritones.

نویسندگان

  • J Sundberg
  • C Högset
چکیده

Vocal registers are generally assumed to be associated with the voice source, i.e. the pulsating transglottal airflow. The waveform of this airflow was analysed by inverse filtering in professional singers, four counter tenors, five tenors, and four baritones singing the syllable [pae:] in soft, middle, and loud voice in modal and falsetto/counter tenor register. Subglottal pressure, estimated from the intra-oral pressure during the occlusion for the consonant [p], closed quotient, relative glottal leakage, and the relative level of the fundamental were analysed. The counter tenors used comparatively low subglottal pressures and mostly showed a closed phase in their flow glottogram waveform. For a given value of the closed quotient, the fundamental tended to be stronger in falsetto than in modal register. The observed voice source differences between the registers seem related to a greater vocal fold thickness in modal than in falsetto register.

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

منابع مشابه

Professional opera tenors' vocal tract configurations in registers.

OBJECTIVE Tenor singers may reach their top pitch range either by shifting from modal to falsetto register or by using their so-called 'voix mixte'. MATERIAL AND METHODS In this study, dynamic real-time MRI of 8 frames per second was used to analyze the vocal tract profile in 10 professional opera tenors, who sang an ascending scale from C4 (262 Hz) to A4 (440 Hz) on the vowel /a/. The scale ...

متن کامل

Evaluation of the vocal tract with real time MRI and MRI volumetry in professional tenors

Introduction Vocal registers and their origins have been the subject of extensive research and controversy for more than 200 years. It is commonly assumed that vocal tract resonances influence registers and register transitions. Also, model experiments have suggested that the vocal tract interacts with the voice source [1, 2] and thus may have an influence on vocal registers. Vocal tract resona...

متن کامل

Vocal tract resonances in singing: Strategies used by sopranos, altos, tenors, and baritones.

The first two vocal tract resonances (R1 and R2) of 22 classically trained sopranos, altos, tenors, and baritones were measured while they sang four different vowels over their normal pitch range. The resonances of the tract and the harmonics of the voice were measured simultaneously by injecting a broadband acoustic current into the tract at their mouth. Sopranos were found to tune R1 close to...

متن کامل

Analysis of supraglottic activity during vocalization in healthy singers.

OBJECTIVES/HYPOTHESIS The present study aims to evaluate the degree of anterior-posterior and medial supraglottic laryngeal compression in healthy singers of different voice classifications while singing different pitches, loudness, and phonatory tasks. STUDY DESIGN Prospective study. METHODS Thirty-six classically trained singers (11 sopranos, 11 mezzo-sopranos, six tenors, and eight barit...

متن کامل

Relationship between perceived vocal registers and glottal flow parameters

The perception of modal and falsetto registers was analyzed in a material consisting of a total of 80 vowel sounds sung by 10 choir singers, 40 sung in modal register and 40 in falsetto register. These vowel sounds were classified by sixteen expert listeners in a force choice test and the number of votes for modal was compared with the voice source parameters (1) Closed Quotient (Qclosed)and (2...

متن کامل

ذخیره در منابع من


  با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

عنوان ژورنال:
  • Logopedics, phoniatrics, vocology

دوره 26 1  شماره 

صفحات  -

تاریخ انتشار 2001